EPONYME, hiver 2019/2020, trouve ses inspirations dans l'univers du cheminot à la fin du 19ème siècle. Ce projet de seconde année à ESMOD Roubaix vise les techniques modelistes du vanishing et de l'effet d'optique. Bruits, crasse, ferraillages, suie, vêtements rapiécés, manches retroussées, foulards, transpiration ... ce shooting nous plonge dans le bruit et l'atmosphère, dans un air peignable et ineffable, à la manière de Monet dans ses séries de la Gare St Lazare.
EPONYME winter 19/20 draws its inspiration from the world of railway workers of the late 19th century. This is an optical and vanishing project of my second year of study at ESMOD Roubaix.
Noise, dirt, steam, soot, patched clothes, rolled-up sleeves, scarves; sweat, this shooting is meant to transcribe this noise and this atmosphere, like Monet in his series of the Gare Saint Lazare.
Noise, dirt, steam, soot, patched clothes, rolled-up sleeves, scarves; sweat, this shooting is meant to transcribe this noise and this atmosphere, like Monet in his series of the Gare Saint Lazare.
La mélodie inspirant cette saccade et me rappelant les voyages en trains, composée par la compositrice londonienne de IMOGEN HEAP
The very melody that inspired the Atmosphere below, composed by IMOGEN HEAP
CREDIT
" EPONYME "
01-09-20
director
Theau Verheyde
photographer
Theau Verheyde
Theau Verheyde
model
Dima Galaev
Dima Galaev
assistant
Marine Bart-Moraës
Leo Mikils
Marine Bart-Moraës
Leo Mikils
place
Wingles
Wingles
special thanks to
Ninja Trastour for accessories
Quentin Lesaffre for camera
Ninja Trastour for accessories
Quentin Lesaffre for camera
